Rewolf wrote:
I believe that for efficiency purposes that the films are scanned, and then only brightness/contrast type adjustments made electronically - the tool used doesn't allow for content editing or other photoshop type manipulation.
Seems reasonable. I never really understood the supposed ban on digital enhancement since it's nothing that couldn't be acheived with a bit of dodging or burning in as necessary. So if it would be okay in principle in a dark room there's no logical reason for it not to be done on a computer. In practice it doesn't make any difference so they might as well be cost effective about it. That was what I was trying to get across before, but reading it back I made a pigs ear of it.

Rewolf wrote:
The distinction is surely between enhancing the existing image so that the plate can be read... and editing the image to create a fundamentally different image
Yes, I think wherever it was I came across the thing about no digital enhancement should probably have said "no digital
manipulation". The question is when does enhancement become manipulation? I've seen some long debates on these lines on a photographic forum. IIRC it was a National Geographic cover that had been composited out of two images (IIRC foreground and background came from two different photos but had been made to look like a single image, and done very well indeed), and the purists felt that if it wasn't exactly what was there it doesn't count as proper photography. Others, including me, didn't care how it was done if it was still a good image, providing it wasn't unrealistic. Needless to say I have a totally different opinion when it comes to scamera photos, though if the manipulation is as lame as the effort that got the parking mob into trouble maybe we don't need to worry.